Review - John Grant Supported By Teddy Thompson

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Wow, we did a thing! An actual, live music thing, a real live music gig in a crowded venue, surrounded by excited music lovers, right here, in the centre of Cardiff!  The four of us had all enjoyed seeing John Grant before, at various Welsh venues, including St David’s Hall and at the Greenman festival.  However, this was a bit special, the first full-on live gig that any of us had been to since Lockdown began, approximately 18 months back. 


Interestingly, a BBC film crew was on hand to film gig-goers, showing the new, obligatory Covid passes, proving double vaccination, in order to gain entry, to the New Theatre. I’d also not seen this sort of gig there before, having mostly witnessed other forms of more traditional entertainment at the theatre. but it turned out to be a wonderful setting for this event. It is a beautiful, ornate, cosy and atmospheric building, redolent of stage shows, musicals and panto performances gone by. From our seats in the stalls, I looked across, sentimentally, to one of the boxes where my mother had once sat with other family members, to watch Carmen Jones. I’d also sat, in nearby seats with my dad, always fascinated by drummers, to watch the inimitable Buddy Rich.  Memories of both of my late parents, drifted through my mind, as we took our seats and the lights went down.


A tall, distinguished and debonair figure strolled onto the stage with a very nice-looking guitar in hand.  We were to be treated to a stunning voice, personable nature and flair for writing poignant, well-crafted songs.  It was a delight to settle back, in the comfy, red, traditional theatre seats and be regaled by the highly talented and likable Teddy Thompson. Teddy, the son of Richard and Linda and sibling of Kamila, represented the Thompson family, in some style. As it turned out, this was the last night of this leg of the tour and Teddy was glowing in his praise of John Grant, hinting of a mutual respect and kinship that would be more overtly displayed later in the evening.


After another half-hour of soaking up the warm, theatre ambience, the lights once again dimmed, as the statuesque Mr Grant made a beeline for centre stage and his two (super-talented) moustachioed musicians headed for their workstations. We immediately entered a world of synth-driven electronica, as we were overcome by an immensely powerful and hypnotic array of Blade Runner-esque synth motifs.  Grant, of course, included a number of songs from the most recent ‘Boy from Michigan’ album. However, even if some of the new material was less familiar for some, the audience was totally captivated by the mesmerising stagecraft of Grant and his fabulous multi-talented, co-musicians.


I hadn’t expected the New Theatre setting to work so well for such a full-on performance but it was truly perfect, allowing for an enhanced level of intimacy, to enjoy the wonderful John Grant performance style. If you’ve not seen him, I’d heartily suggest that you do. He somehow mixes being ridiculously talented and ridiculously tall with being riotously entertaining!  Six foot, ten inches, in height, he certainly delivers bang for the buck! The former Czars frontman also comes across as self-effacing, caring and kind. He mentioned how much he’d enjoyed working with Teddy Thompson and that culminated in Teddy returning to the stage to join Grant for a glorious duet, on the powerful Sigourney Weaver. The warm hug between the two, as Teddy left the stage was touching to see. There is clearly a genuine warmth and mutual respect between these two fine performers.


Grant has an ongoing working relationship with Cate le Bon and had apparently been ‘learning Welsh but forgotten it all’. One delightful moment was when he asked the Cardiff audience to shout out the Welsh world for owl.  Dutifully, on the count of three, the word ‘Gwdihw’ resonated around the theatre, much to Grant’s obvious delight! Personal set highlights for me were ‘Glacier’, a painful acknowledgment of the painful times we are going through, urging his receptive listeners not to ‘listen to anyone, to get answers on your own’. Powerful, moving, sincere and unforgettable, just like the man himself. 


As an encore, he, of course, reminded anyone who might have needed a nudge that he is (as he says) the ‘greatest mother*cker that you are ever going to meet’. 


Thank you John (and Teddy). For one night only, Cardiff was a more special place to be… 

Steve Johnson

Review: Lightning Seeds at Bristol’s O2 Academy

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It’s funny how the most unexpected events in life can often be the most memorable or enjoyable, hence why I never turn down any concert/gig tickets I’m offered, no matter how last minute or how little I know an artist’s repertoire. If I didn’t follow this idea, then I would’ve missed out on the glorious opportunity to see the Lightning Seeds.

Admittedly, and somewhat shamefully, my knowledge of the band amounted to three songs (yes, one of them being Three Lions). Although I could sing Life of Riley and Lucky You till the cows come home, I wasn’t all too familiar with the rest of the setlist. This was the bands tour in honour of their album ‘Jollification’ turning 25 years old, so there would be hits in abundance. I thought I’d leave the normal homework of brushing up of my song knowledge prior to the gig, and rather leave it to the night to absorb myself in their greatest hits live- oh am I glad I did. 

Despite myself and my boyfriend bringing down the average age of the audience by a good few years, we could not be in a better crowd. Full of fans carousing and swaying along to the rhythmic beats strummed out by lead Ian Broudie, it emphasised the joyful atmosphere of the O2, as not only great live music was on, but it was back! 

The Britpop era was back in full swing as the rock pop anthems echoed around the Academy, and Broudie showed that he’s still got it with his indie tones carrying perfect tune. You can tell they’re a band for the stage. The easy, natural flow they followed made it all seem effortless as great pop singles were blasted out, and it felt like we’d never been away from the party. 

The bands line-up this time around consisted of course of Ian Broudie, who was joined by Martyn Campbell on bass, Abi Harding on keyboard, Jim Sharrock on drums and none other than Broudie’s own son, Riley Broudie, who took to guitar along with his dad. Father and son touring together must make for a surreal yet special experience, and Riley has clearly taken after his dad with his love, and talent, for music and performing.  

Once the Jollification album was played in full, a short break ensued for the band to regroup and switch things around for the rest of the show, compiled with their greatest hits selection. Performing under the giant spinning strawberry, replicating the one made famous on the Jollification album cover, Broudie’s eternally youthful energy allowed him to bring his timeless tunes to the crowd in such a way you couldn’t help but smile and sway.

I found myself dancing away to songs I’d never heard and losing my voice to the ones I did. I didn’t quite know what to expect from this gig but having a smile on my face the whole time and jamming to the indie tunes wasn’t it. Finding new favourites in ‘Sugar Coated Iceberg’ and cheering at covers of classics such as ‘Be My Baby’ was success enough, but seeing the love in the room from people who have been waiting to see the band for years and it reciprocated by the band themselves cemented this gigs status as one of the firm favourites in my selection seen. 

What happened to be chance with last minute tickets offered by my godparents who could no longer go, resulted in a new musical experience which has enriched my musical collection for the better. Not only a fab evening full of great music and joyful crowds, but a host of new songs for my Spotify playlists.

 

Setlist:

Jollification

1.     Marvellous

2.     Open Goals

3.     Perfect

4.     Why Why Why

5.     My Best Day

6.     Telling Tales

7.     Punch & Judy

8.     Feeling Lazy

9.     Lucky You

Greatest Hits

10.  All I Want

11.  What If...

12.  Sense

13.  Whole Wide World
(Wreckless Eric cover)

14.  Flaming Sword
(Care cover)

15.  Ready or Not

16.  Sweetest Soul Sensations

17.  You Showed Me
(The Byrds cover)

18.  Waiting for Today to Happen

19.  Sugar Coated Iceberg

20.  The Life of Riley

21.  Pure

Encore:

22.  Be My Baby
(Ellie Greenwich cover)

23.  Three Lions

 

Depot In The Castle – Live Music Back In Full Swing!

Last weekend live music made a comeback at Cardiff Castle. For the first time in 18 months, we were once again allowed to enjoy the feeling of music being played in person rather than on a screen. Just a week before the festival, the Welsh Government confirmed its “Freedom Day” meaning the festival could go ahead.


There was plenty of choice for food and drink, a vast array of variety from burgers to tacos to ice cream and desserts. Even the bars were stocking variety, the classics like beers and wines but also a selection of cocktails such as mojitos and cosmopolitans. I didn’t taste any of the delicacies but from what I saw others having, they all looked beautiful and delicious which I imagine they very much were.


The line-up consisted of names like Ella Eyre, Tom Grennan and Kaiser Chiefs. Other names such as Gentleman’s Dub Club, Dodgy, Lottery Winners and Mr Wilson’s Second Liners were amongst the headliners. With tickets priced at just £45, you definitely got your bang for your buck there. 


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The festival was well managed, queues were handled very well upon entrance. Only downside was that before the festival everyone had to have a Covid-19 lateral flow test done which was uncomfortable but luckily the whole experience was worth it. I got into the Castle about 15 minutes before Ella Eyre performed, finding a spot was hard but luckily there was a spot in front of the sound desk which gave us a pretty decent view of the stage.


Ella Eyre played a great set, hyping up the audience in the right way with Waiting All Night. I’d say the majority of the audience were up on their feet, singing along and dancing. That particular song changed the atmosphere in a brilliant way. From then on, she had the Castle roaring. 


Tom Grennan similarly put on a good set, his vibe is different to Ella’s but regardless he too knew how to hype a crowd. Playing some of his most famous songs, such as Sober and Found What I’ve Been Looking For, they had people dancing and singing along too.


The stand out performance had to be the headliners, the Kaiser Chiefs of course. Arguably the band most had gone for in the first place, and they made it known. They praised the acts before them, which was nice to hear. By this time it had started to go dark, which actually helped because the light show was pretty spectacular. I Predict A Riot caused the most ruckus from the crowd, it was such an amazing feeling to be in amongst that kind of atmosphere again. It was the exact kind of serotonin boost that was needed for post-lockdown. 


Overall, I would say the festival lived up to expectations. Good management and brilliant entertainment, what more could you possibly need for a good festival!

Ffi Edwards

My Favourite Album

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Reverence by Parkway Drive is my favourite album at the moment. It is their sixth studio album and was released in 2015. Parkway drive is an Australian metal core band who formed in 2003.


It would have to be my favourite album for the reason of the emotion behind it. It is their heaviest album but the band suffered a lot of loss and tragedy whilst writing the album which is especially shown in the song "wishing wells".


I have two favourite songs on the album which are "Prey" and "The Void". These songs explain how they all dealt with depression and other mental health problems and how they overcame them. These songs often receive the most hype from the audience when they are played live.


I think that this album was quite risky for the band as it was very out of their normal sound and is a lot heavier than their other albums. It received a great response as many people started to understand the emotion behind the lyrics.


Since the release of this album, they headlined festivals such as "Wacken festival" in Germany and have released a documentary about how they formed to headlining festivals called "Viva the Underdogs"
I think that Parkway Drive are a very good metal band and anyone who likes bands such as Metallica, Slayer, and Killswitch Engage.