In a digital world where trends seemingly change every minute, new singers and bands coming onto the scene every day, it can be easy to have a short-lived career in the industry. Most artists can only dream of having a career that spans 54 years, Genesis have done just that though.
With over half a century of recording music and performing to crowds, it’s no surprise they wanted one final tour before ailing band members and old age gets in the way and they pack it in for good.
The Last Domino? Tour has seen the band tour for the first time in 14 years, covering North America, the UK and Ireland. The first in 14 years, the last forever, this tour carries significance in not only giving the band closure and the chance to play together once again, but for fans to experience them live one very last time.
Phil Collins’ poor health is no secret and was evident as he walked out onto the stage, taking a seat in the centre with his visible frailty apparent to the 15,000-strong crowd. This didn’t stop him from bringing his talent and humour to the show though, as his vocals and dry wit rang out through the arena for all to enjoy.
As he perched on his chair, he was accompanied by the rest of the band, which included his 20-year-old-son Nicholas on drums. The show took off with the 1980 instrumental ‘Duke’s End’, transitioning into ‘Turn It on Again’, to build up the sound whilst luring the crowd into the performance.
If anyone was doubting Collins’s ability to front the band still, those doubts quickly melted away once he started singing. Sure, his vocal range wasn’t quite the same as it was in the 80’s, but the power projected from Collins voice and his sincereness from the singing, along with a natural charisma, entranced the crowd.
Arguably, things wouldn’t have sounded quite the same if Nicholas Collins hadn’t of inherited and practised the ability to play his dad’s parts with such precision. You’d be forgiven for thinking it was Phil himself. Clearly the natural talent running through his DNA along with years of hard work and dedication have paid off, as even Phil couldn’t help but look on with pride at his sons masterful drumming.
Founding members Mike Rutherford and Tony Banks, along with long-time touring guitarist Daryl Stuermer, all showed they’ve still got it, all carrying the weight of the show between their talented fingers.
The band’s decision to also have two backup vocalists on stage was the right one. Daniel Pearce and Patrick Smyth aided Collins with some of the higher notes which aren’t quite as reachable in his is older age, whilst remaining unobtrusive and appearing infrequently, proving that Collins clearly doesn’t need much help.
When Collins promised at the start of the show that this tour, which was supposed to kick off in November 2020, was going to be a fun one, he wasn’t kidding.
Bringing hits such as ‘Land of Confusion’ (my personal favourite), ‘Invisible Touch’ and ‘No Son of Mine’ to name a few, along with concert classics like ‘Home By the Sea’ and ‘Domino’, created a perfect setlist for fans to dance, sing and rightly have fun to.
The bands acoustic diversion after their first set meant saying goodbye to the keyboard and anything else with a techno beat or vibe, even leaving Nicholas Collins with noticeably smaller drumming utensils. Stripping down ‘That’s All’, ‘The Lamb Lies Down on Broadway’ and ‘Follow You Follow Me’ was certainly a good choice and felt a rather personal touch from the band to the audience.
The almost sombre, thought-provoking tone reflected how this would be the band’s last string of live rendezvous together, with them wanting to create something magical to leave fans with.
The on-stage graphics and designs were quite a marvel- nothing new as Genesis have long been renowned for their stage design since the Peter Gabriel days. A movable lighting rig imitating giant dominoes, large screens across stage and plenty of animations to accompany, but not intrude, on the songs was the icing on the cake for this show.
As Collins’ pointed out, a currently particularly topical song, ‘Land of Confusion’, was the perfect illustration of how the bands songs have moved with the times and are as current now as they were then. Masked animated figures patrolled over cities and land in graphics on screen- another sign perhaps of how Genesis’s songs will forever remain relevant.
Should miracles be scarce, or Peter Gabriel have a sudden longing to perform with the group again, this is Genesis’ farewell. Collins has made it clear he has no intention of playing with the band after this tour, and that this would be goodbye.
For life-long fans and newbies alike, this tour provides the perfect farewell. A magnificent spectacle as the final curtain prepares to fall on Genesis performances forever.
Setlist:
Set 1:
(second half; with "Riding The… more)
Acoustic
The Lamb Lies Down on Broadway
Set 2:
I Know What I Like (In Your Wardrobe)
(with "Stagnation" snippet)
Encore:
Dancing With the Moonlit Knight
(1st verse)
By Gabriela Page
