Immersed Festival Reviews

All Images Copyright KCL

All Images Copyright KCL

Immersed! Festival Sunday - Sofa Sessions - Review

From Friday the 29th to Sunday the 31st of January, Immersed! festival took place through live-streams online. Curated by students from the University of South Wales, the festival saw a variety of artists, all who create different genres of music, and are from in and around Cardiff.

The festival took place to celebrate the live music scene in Cardiff, along with raising money for Teenage Cancer Trust. I tuned in to the beginning of Sunday’s live-stream, titled ‘Sofa Sessions’, and really enjoyed it. 

The format of the festival was really professional, and throughout, as the name suggests, I felt immersed in the set, as if I was physically in the same room watching the artists perform.

On the stream there was also a chat section, where people could make comments and cheer on the artists, as well as reminding everyone watching about donation links for Teenage Cancer Trust, and linking merchandise for the festival, with proceeds going towards the charity.

As with the name of Sunday’s stream ‘Sofa Sessions’, I expected chill, acoustic sets, which is exactly what was shown. Emma Mae’s acoustic set was amazing, using only an acoustic guitar and her incredible vocals, it was completely stripped back and was really lovely to listen to.

The stage setup for her performance was also really nice, with visuals of nature behind her on a screen and blue and green interchanging lighting, there was a really relaxed vibe.

Emma spoke a bit in between each song, about when she wrote it, or what it was about, and every song she performed had beautiful, emotive lyrics. She also performed a cover of Alessia Cara’s ‘Here’, which was a really nice acoustic interpretation of the original version.

My favourite song she performed was a song called ‘Seventeen’, I really enjoyed her entire set, as her music style is exactly what I like listening to. 

Overall, from what I saw of Immersed!, I was really impressed, and thoroughly enjoyed it. I really liked how engaging the festival was, as, being an online event, it can be difficult to keep an audience involved, but the Twitter account was being constantly updated, along with the chat on the stream, so everyone watching could interact.

Having an event like this is amazing for local artists to gain more exposure, and is something that I think should be done in many other areas across the UK in order to showcase homegrown talent.

Also, the fact it was raising money for such an incredible cause like Teenage Cancer Trust makes it even more important. Hopefully the festival continues for years to come, and continues to showcase the amazing talent Cardiff has.

Chloe Mullis


Image Copyright KCL

Image Copyright KCL


Immersed festival 

Immersed festival supplies you with the anthems for your weekend, turn your kitchen into a nightclub and get the whole house moving.

When it comes to immersed festival you will seldom find a lack of great artists to listen to. On the Friday we had dance music, Saturday we had rock and indie music and on Sunday we had the pleasure of slowing things down with smooth tones, lullaby anthems and easy on the ear (and head) acoustic sets.

However, I chose to tune in to DJ Clu & wiz mc on the Friday when ‘let us dance’ was on and I was blown away by the level of talent and production these artists had in their arsenal.

What I liked about the music they played was that it wasn’t the traditional dance music you would typically find in a nightclub. I expected to hear poppy, upbeat melodic and catchy house songs when I first tuned in, but what I was met with was an ‘in your face’, almost grunge esque style of dance music which put me on the back seat. A beautiful mixture of grime, mcing, dream like Saxaphone style instrumentals in-between bars and through listening to this I had an epiphany.

What came to me was that club music that has a high production value, already established artists and DJ’s names attached to a particular dance track, can sometimes overshadow lesser-known creative musicians who have a passion for mcing and rap just as much as a big-name artist. 

Immersed festival gives acts such as DJ Clu and Wiz MC the exposure that they need, with a time as trying as COVID-19 and ongoing struggles with musicians not being able to tour due to travel restrictions and Brexit restrictions, Immersed festival allows these acts to flourish and gain experience by showcasing talented artists to a wider audience.

What we also see here is organic music making and to see these guys throwing everything at the audience while going full speed at 180bpm while pairing different styles of music together was very refreshing and extremely satisfying. 

The rapper (Wiz MC) spent no time in pausing for a breath. It was a constant stream of conscience flow which to an outsider might not seem like much, however being able to rap consistently from one bar to the next is not as easy as you may think when you’re rapping to an instrumental as fast as the one playing.

I felt as though the experience was a breath of fresh air and I can guarantee that if immersed festival had been in a club or the students union, DJ Clu and Wiz MC would blow the roof of the place. I can’t wait to see where they go from here. 

To anyone thinking of tuning in to immersed festival next year, do it. You will not be disappointed, in the meantime, watch this year's festival in its entirety on their YouTube channel @immersed! 2021 on YouTube. They showcase lots of different acts so there's something for all music tastes and styles.

This isn’t just a festival, this is immersed.


Jacob Price

Image Copyright KCL

Image Copyright KCL

Emma Mae

Emma Mae



An Up and Coming Star

This weekend I attended the ‘Immersed’ festival held online by ‘KCL’ (Keep Cardiff Live). I listened to a wide range of different, talented artists during that event, but one act really grabbed my eyes – and ears – attention.

That act was Emma-Mae, a young musician from Leicester, dazzled me with her extraordinary talent. Her songs included ‘Welcome to my Hometown’ and ‘Easy Tiger’ among many others sung in a similar style to ‘Florence + The Machine’ and ‘Alanis Morrissette’.

The performance took place at ‘The Tram-shed’, a venue that is sadly up for sale, filmed in Covid-19 community guidelines, and lasted for less than thirty minutes.

Even though Emma-Mae performed for half an hour it went by so fast due to her beautiful voice, laid-back bandmates as well as the tranquil colour-scheme of her set piece.

 As well as that even though there was no audience, due to the restrictions held in place due to Covid-19, the tranquil, soulful sounds came through and created a totally unique and thought-provoking atmosphere. Emma-Mae’s songs of alcoholism and depression also struck a chord and I found myself relating to a lot of her material as she sang.

I was delighted to find Emma-Mae has her own website where I, and others, can listen to her many singles and find out where she performs, but as of late has been unable to do so do to the on-going Covid-19 pandemic. 

However, pandemic or not, Emma-Mae is a true star in the making and I will continue to listen to her wonderful voice and songs of sadness and hope for many years to come.

Phoebe Vaughan



Image Copyright KCL

Image Copyright KCL

Review of Immersed Festival 2020

Immersed festival is a vibrant, genre hopping music festival hosted in a well loved venue Tramshed in the live music oriented city of Cardiff.

The Immersed Festival is hosted by the University of South Wales; entry to the festival is free but it is encouraged to donate to the charity Teenage Cancer Trust. Due to the coronavirus pandemic, all acts were under strict covid friendly restrictions with the festival being streamed entirely online. Some of the acts that performed include; Yasmine & the Euphoria, Telgate and Mace the Great.

The contrast in genre goes to show how the festival has something for everyone and is worth the listen; the festival was streamed on a multitude of different platforms including Youtube and Facebook.I decided to tune into the Sunday evening stream of the festival, in which there were two stages, 'Libertino Records Stage’ and ‘Sofa Sessions’; I decided to specifically speak on alternative band Bandicoot’s set on the Libertino stage.

Hailing from Swansea, South Wales, Bandicoot bring a fresh new aspect to the Indie Rock scene performing many of their songs in Welsh. Bandicoot’s strong connection to their Welsh national identity and heritage is made very clear throughout their discography creating a strong sense of community within their fanbase. During the Immersed Festival stream, Bandicoot played two separate sets; a full band performance and an acoustic set. Bandicoot played an upbeat, vibrant and overall very enjoying set.

They have a strong stage presence maintaining the audience's interest. I would recommend Bandicoot to fans of the more raw, technical side of indie music.

The atmosphere was very endearing; the way the camera angles worked and the lighting all worked to create the feeling of being at a in person festival.

As I enjoyed the act I would be interested in discovering more of their music and seeing them perform live at some point.Some of the other talented acts who performed on the Libertino stage include Keys and Adwaith. Overall the festival is well run, enjoyable and 100% worth checking out next year!

Bethan Stewart


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Immersed! 2021 - Sunday Session Review - 

Over the past year due to the Coronavirus pandemic, we have had to adapt in many ways. The events industry being one of the industries that have suffered greatly due to in-person events, such as gigs or festivals, being unable to take place.

Immersed Festival, hosted by the University of South Wales in aid of ‘Save Our Venues’ and ‘teenage Cancer Trust’, was a weekend-long virtual event focusing on a different genre each day, the event itself being streamed live on YouTube for free however the university encouraged donations to Teenage Cancer Trust as well as offering their own t-shirts.  

I decided to attend Sunday's event, on the Sofa Sessions stage, where artists such as Hollie Singer, Yasmine & The Euphoria, Emma Mae, and more performed. The act I was excited the most for was Cardiff-based singer, Emma Mae, having previously listened to her 2020 EP ‘What It’s Come To’, an upbeat EP with the juxtaposing lyrics surrounding love and heartbreak. Personally, my favourites of the four songs being ‘Hangover City’ and ‘Easy Tiger’.  

Mae jokingly says how her set “is going to be very sad”. I personally love the atmosphere of Mae’s set, reminding me of the more peaceful gigs I’ve been to, like dodie for instance, who was performed at Tramshed. Her set reminded me a lot of dodies and how I felt at ease and relaxed during the gig. Having this association to a gig I had been to, made it feel as if I was back at the Tramshed listening to Mae perform live. Performing a mix of covers and original songs, Mae’s acoustic set felt raw and full of emotion. The graphics and lighting surrounding Mae didn’t distract you from her performance but rather added to the feeling of rawness to her set. 

I thoroughly enjoyed the festival on Sunday evening, I look forward to the festival next year. 

Katherine Witts

Immersed 2021: A personal perspective

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As a lover of music and the arts, one of the hardest parts of the Covid-19 pandemic for me, has been not being able to feel in touch with myself musically.

Any music fan will understand the huge difference there is between simply listening to music through your headphones, compared to being completely immersed at a live event.

Nothing compares to the buzz you get from attending a performance of your favourite artist, alongside the atmosphere from the crowd, mixed with the energy and power that live events hold. There’s nothing quite like it.

When I heard that there was an opportunity to be an interviewer for the ‘Immersed Festival 2021’ I couldn’t have put myself forward quicker.

The thought of simply being around live music again after such a long time, and for such an amazing cause, was thrilling. I couldn’t wait, even though it was technically a job, I couldn’t help but be overwhelmed with excitement.

I felt honoured and blessed to be one of the only people in the worlds current climate, who was going to get the opportunity to witness a live music event again. 

To add even more so to my over-excitement, the fact that the music and interviews were going to be held at one of my favourite venues in Cardiff was the greatest bonus I could ask for.

Being your typical music loving Cardiff student, The Tramshed holds a very special place in my heart. Ive spent countless nights (and early hours of the morning) there, attending live music events, raves and many other amazing evenings.

Every memory I have of The Tramshed is a happy one, and revisiting there as an interviewer this month was no exception. 

As I walked through the back fire door on the morning of the pre show recording, I was instantly overwhelmed with emotion as I heard the painfully yet beautifully loud music bouncing from every corner of the room.

Hearing music at such a loud volume in itself made me reminisce on the amazing feelings I used to get when waiting outside of a rave, when you would hear the music inside getting louder and louder the closer you got to the front of the queue, and bursting with excitement to get in and start dancing. 

I had the exact same feeling this time. I was supposed to go straight to the interview room to prepare for the bands once their performances had finished but I physically couldn't, I wasn’t going to let this rare opportunity slip by me. I quickly walked - as professionally as I could - to the upstairs balcony whilst trying to keep my composure.

The heavy metal band ‘Excursia’ where mid way through their set. Even though I was the only person on the balcony the smile on my face could have been seen from the opposite end of the building. I could feel the vibration you get in your chest when music is exceedingly loud, I could hear the ringing in my ears and most importantly I could see how much fun the band themselves where having and how happy they were to simply get the chance to perform again after such a long time. 

Not only was I blown away by the musicians themselves but the technological aspects of the event where just as inspiring. The lighting and sound effects alone were executed perfectly and it genuinely felt like I was at a live event.

The recording of the acts was done very precisely in order to conjure up the same feelings I was getting from being there in person, to the audience at home. 

When it finally came to the interviews I was once again feeling very grateful to be in the presence of such outstanding musicians. The interviews themselves were very insightful and interesting and sometimes upsetting, when it came to hearing how much the artists had been effected by the pandemic.

However what I enjoyed the most was hearing their responses when I asked them what it felt like to perform again. Every single one of my interviewees faces was plastered with the biggest smile as soon as I asked this question. To see and hear how much those mere 15 minutes meant to them was inspiring in itself. 

Revisiting the Tramshed that day was one of the best days ive had during this chaotic year. It really made me re evaluate my attitude towards the sadness and anger I had surrounding the events of the pandemic.

In these unprecedented times it is important we don’t loose sight of what’s important to us as humans. Some people say that ‘music makes the world go round’ I never really used to understand this saying or consider its importance, but after that one great day at the Tramshed, talking to inspiring musicians and seeing how much that small reminder of reality was for them, made me reevaluate this statement and the meaning it held, I now believe hole-heartedly in the power that music has to offer. Music really does make the world go round. 


Niamh Colclough

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