St David’s Hall

On This Day 21/11/1989 Rik Mayall

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On this day, 21 November 1989, actor, comedian and writer Rik Mayall played Cardiff’s St David’s on his Ton Up tour. Support was provided by Andy De La Tour.

He formed a close partnership with Ade Edmondson while they were students at Manchester University, and was a pioneer of alternative comedy in the 1980s.

Mayall starred in numerous successful comedy series throughout his career, including The Young Ones (1982–1984), The Comic Strip Presents... (1983–2012), Filthy Rich & Catflap (1987), The New Statesman (1987–1994), and man more.

Review - Steve Duffy - South Wales Echo

In the 1986, Mayall had a No. 1 hit in the UK Singles Chart, when he and his co-stars from The Young Ones teamed with Cliff Richard to record "Living Doll" for the inaugural Comic Relief campaign.

Mayall played Rick one last time in the Comic Relief stage-show and supported the Comic Relief cause for the rest of his life.

In the early 1990s, Mayall starred in humorous adverts for Nintendo games and consoles. With money from the ads, he bought his house in London which he called "Nintendo Towers".











On This Day 11/11/1988 Chas 'n' Dave

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On this day, 11 November 1988, Cockney pop duo Chas 'n' Dave played Cardiff’s St David’s Hall.

They were most notable as creators and performers of a musical style labelled rockney (a portmanteau of rock and cockney), which mixes "pub singalong, music-hall humour, boogie-woogie piano and pre-Beatles rock 'n' roll".

For a time, Rockney was also the name of their record label, their major breakthrough being "Gertcha" in 1979, which peaked at No. 20 in the UK Singles Chart, and was the first of eight Top 40 hit singles the duo played on. They had their biggest success in the early 1980s with "Rabbit" and "Ain't No Pleasing You". They also had nine charting albums.

Charles Nicholas "Chas" Hodges and David Victor "Dave" Peacock met in 1963, but the duo only started writing songs together in 1972.[4] In the 1960s and 1970s, Hodges and Peacock were in various groups. Hodges was with The Outlaws and then Cliff Bennett and the Rebel Rousers in the 1960s, while Dave Peacock was with a group called the Rolling Stones (formed before the more famous one), and The Tumbleweeds, and worked with Mick Greenwood and Jerry Donahue.

Hodges and Peacock were both part of Black Claw with Harvey Hinsley and Mick Burt, three of them (Hodges, Peacock and Burt) would later be in Chas & Dave. They recorded with Albert Lee, and released an EP called Country Pie. After Black Claw, Hodges joined Heads Hands & Feet in 1970.

Both Hodges and Peacock had worked as session musicians and in backing bands for a wide range of artists; Hodges as part of The Outlaws had worked with Jerry Lee Lewis, Gene Vincent, Bill Haley, and also supported the Beatles as the Rebel Rousers.The hook of the song on which Hodges and Peacock played guitar and bass in 1975, Labi Siffre's "I Got The...", was later sampled on Eminem's "My Name Is".

On This Day 03/11/1989 The Beautiful South

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On this day, 3 November 1988, American singing band The Drifters played Cardiff’s St David’s Hall. The band had just released their debut album Welcome To The Beautiful South.

Formed in 1988 by Paul Heaton and Dave Hemingway, two former members of the Hull group the Housemartins, both of whom performed lead and backing vocals. Other members throughout the band's existence were former Housemartins roadie Sean Welch (bass), Dave Stead (drums), and Dave Rotheray (guitar). The band's original material was written by Heaton and Rotheray.

Review -South Wales Echo

Released in October 1989 by Go! Discs and the next year in the United States by Elektra Records. Three singles were released from the album, which became top 40 hits in the United Kingdom: "Song for Whoever" (No. 2), "You Keep It All In" (No. 8) and "I'll Sail This Ship Alone" (No. 31).

The original album cover depicted two pictures by Jan Saudek, one of a woman with a gun in her mouth, and another with a man smoking. Woolworths refused to stock the album, in the words of the band, to "prevent the hoards of impressionable young fans from blowing their heads off in a gun-gobbling frenzy, or taking up smoking";

An alternative cover featuring a picture of a stuffed toy rabbit and a teddy bear was therefore made. A second alternative cover was also prepared for the Canadian edition of the album; this version omitted the picture of the woman, and featured only the smoking man.

On This Day 01/11/1995 Human League

On this day, 1 November 1995 pop band Human League played St David’s Hall on there greatest hits tour.

Formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album Dare in 1981 after restructuring their lineup.

The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man", "(Keep Feeling) Fascination", "The Lebanon", "Human" (a second US No. 1) and "Tell Me When".

The only constant band member since 1977 has been lead singer and songwriter Philip Oakey. Keyboard players Martyn Ware and Ian Craig Marsh both left the band in 1980 to form Heaven 17, leaving Oakey and Adrian Wright to assemble a new line-up.

The Human League then evolved into a commercially successful new pop band,with the line-up comprising Oakey, Wright, vocalists Joanne Catherall and Susan Ann Sulley, bassist and keyboard player Ian Burden and guitarist and keyboard player Jo Callis. Wright, Burden and Callis all left the band by the end of the 1980s, since which time the band has essentially been a trio of Oakey, Catherall and Sulley with various sidemen.

LIVE LINE UP:

Philip Oakey - vocals

Joanne Catherall - vocals

Susan Sulley - vocals

Neil Sutton - synthesizer

Russel Dennett - synthesizer, guitar, vocals

Fergus Geronde - percussion

Phil Edwards - synthesizer

David Beevers - technica

Setlist

Being Boiled

These Are the Days

Love Action (I Believe in Love)

Filling Up With Heaven

A Doorway?

The Sound of the Crowd

Housefull of Nothing

Mirror Man

Blind Youth

Seconds

The Lebanon

The Stars Are Going Out

(Keep Feeling) Fascination

Stay With Me Tonight

One Man in My Heart

Human

Don't You Want Me

Tell Me When

Human Nature

(Gary Clail / On-U Sound System cover)

Encore:

Together in Electric Dreams

(Philip Oakey & Giorgio Moroder cover)

On This Day 31/10/1985 Madness

On this day, 31 October 1985, ska/pop band Madness played Cardiff University on their Mad Not Mad tour.

In 1985, the band released their sixth studio album, Mad Not Mad. Mike Barson’s usual keyboard parts were filled by an emphasis on synthesisers provided by Steve Nieve of the Attractions.

In later years, frontman Suggs has described the album as a "polished turd". The album reached number 16 in the UK charts, which is the band's lowest position on the album charts to date. Despite the poor chart showing, the album was listed as number 55 in NME's "All Time 100 Albums".

The singles for the album fared even worse, with "Yesterday's Men" peaking at number 18 in the UK charts. The subsequent singles, "Uncle Sam" and "Sweetest Girl", failed to make the top 20, which was a first for Madness singles.


Setlist

Keep Moving

Samantha

Take It or Leave It

Michael Caine

Mad Not Mad

Grey Day

My Girl

Tomorrow's Dream

House of Fun

4BF

(The Madness cover)

Yesterday's Men

Blue Skinned Beast

Night Boat to Cairo

Time

It Must Be Love

(Labi Siffre cover)

Burning the Boats

Shut Up

Madness

(Prince Buster cover)

Embarrassment

I'll Compete

Our House

Encore:

Uncle Sam

Baggy Trousers

Encore 2:

The Sweetest Girl

(Scritti Politti cover)

One Step Beyond

(Prince Buster cover)

On This day 27/10/1986 Andrés Segovia

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On this day, 27 October 1986, Spanish virtuoso classical guitarist Andrés Segovia played Cardiff’s St David’s Hall.

Many professional classical guitarists were either students of Segovia or students of Segovia's students. Segovia's contribution to the modern-romantic repertoire included not only commissions but also his own transcriptions of classical or baroque works.

He is remembered for his expressive performances: his wide palette of tone, and his distinctive musical personality, phrasing and style.

Segovia's first public performance was in Granada at the age of 16 in 1909.A few years later he played his first professional concert in Madrid, which included works by Francisco Tárrega and his own guitar transcriptions of Johann Sebastian Bach.

Despite the discouragement of his family, who wanted him to become a lawyer, and criticism by some of Tárrega's pupils for his idiosyncratic technique, he continued to pursue his studies of the guitar diligently.

Segovia viewed teaching as vital to his mission of propagating the guitar and gave master classes throughout his career. His most famous master classes took place at Música en Compostela, in the Spanish city of Santiago de Compostela.

Segovia also taught at the Accademia Musicale Chigiana in Siena for numerous years, where he was aided by Alirio Díaz.

His teaching style is a source of controversy among some of his former students, who considered it to be dogmatically authoritarian. One of Segovia's most celebrated former students of the classical guitar, John Williams, has said that Segovia bullied students into playing only his style and stifled the development of their own styles. Williams has also said that Segovia was dismissive of music that did not have what Segovia considered the correct classical origins, such as South American music with popular roots. He was also critical of Williams' work with the group Sky for the same reasons.

Review - South Wales Echo


On This Day 07/10/1990 Prefab Sprout

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On this day, 7 September 1990, County Durham rock/pop band Prefab Sprout played Cardiff’s St David’s Hall on The Comeback Tour in support of their recently released fifth studio album Jordan the Comeback. Support was provided by The Trash Can Sinatras.

A 19-track album encompassing a variety of musical styles and themes, Jordan has been considered by the band and critics alike to be Prefab Sprout's most ambitious project. The album was produced by Thomas Dolby, who had helmed the band's acclaimed 1985 album Steve McQueen but had been unable to commit to the entirety of its 1988 follow-up From Langley Park to Memphis.

Frontman Paddy McAloon divided the album thematically into four segments – straight pop material, a suite about Elvis Presley, love songs and a section on "death and fate". Often touching upon religion and celebrity, the songs allude to figures including Jesse James, Agnetha Fältskog, God and the Devil. Upon release, the album received widespread acclaim with comparisons made to the Beach Boys' Pet Sounds, the Beatles' White Album, Prince's Sign o' the Times and the work of Phil Spector.

It was also a commercial success, peaking at number 7 on the UK Albums Chart. The album's singles were less successful – "Looking for Atlantis" and "We Let the Stars Go" peaked at number 51 and number 50, respectively, on the UK Singles Chart while Jordan: The EP peaked at number 35. The album was nominated for Brit Award for British Album of the Year at the 1991 Brit Awards.

Stuart Maconie of NME described the album as "riding a thematic railroad from nuggets of pure pop philosophy to weighty matters of the soul". Comparing the album's ambition to "other great pop jamborees from Sign o' the Times to the White Album", Maconie commented "to say it's the pop triumph of the year is to damn it with faint praise". David Wild of Rolling Stone said, "If Brian Wilson at the height of his creative powers had spent a year in the studio working up a concept album about love, God and Elvis, the result might have sounded like Jordan: The Comeback.

On This Day 16/09/1986 Rick Wakeman

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On this day, 16 September 1986, keyboard wizard Rick Wakeman played Cardiff’s St David’s Hall. Wakeman had recently released the album Country Airs. The album features piano instrumentals inspired by the countryside. The album marked a stylistic shift in Wakeman's output, having established himself primarily with progressive rock, concept albums, and commercial-oriented music at the start of the 1980s.

The album reached number one on the UK New Age chart. It was followed by two sequels, Sea Airs and Night Airs, released in 1989 and 1990, respectively for President Records.

Best known as a member of the progressive rock band Yes across five tenures between 1971 and 2004, and for his prolific solo career. AllMusic describes Wakeman as a "classically trained keyboardist extraordinaire who plied his trade with Yes and developed his own brand of live spectacular in a solo act."

In 1984, Wakeman signed with the independent label President Records in an association that would last until 2007, for which he would produce almost 40 albums.

The first was Silent Nights, Wakeman's first solo album in over two years, featuring Fernandez, Cronk, and Rick Fenn on guitar and released in 1985.

The single "Glory Boys" became a minor pop hit in the UK. In March 1985, Wakeman finished work on his part of the soundtrack to the comedy film Playing for Keeps, which was followed by a tour of the UK, North America, and Australia to promote Silent Nights.It was his first full-scale tour in four years, and his first shows in the US in over five.

A live album from the UK leg was released as Live at Hammersmith. The tour left Wakeman "seriously in debt", and he was forced to remortgage his Camberley home. In September 1985, during the tour's Australian leg, Wakeman fell ill from his alcoholism and has been teetotal since. Also in 1985, a single of Wakeman's theme tunes for the television shows Lytton's Diary and Database was released. By this time he had also composed music for the BBC show Paddles Up and the Channel 4 documentary Supercat. Wakeman also reunited with David Bowie to play the piano on his 1986 single "Absolute Beginners".