2010’s

On This Day 22/12/2005 Jools Holland & His Rhythm & Blues Orchestra

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On this day, 22 December 2005, Jools Holland & His Rhythm & Blues Orchestra played Cardiff International Arena.

Jools Holland OBE DL was born Julian Miles Holland on 24th January 1958 in Blackheath, South East London.

At the age of eight, he could play the piano fluently by ear, and by the time he reached his early teens he was proficient and confident enough to be appearing regularly in many of the pubs in South East London and the East End Docks.

At the age of 15, Jools was introduced to Glenn Tilbrook and Chris Difford; he joined Squeeze, followed by Gilson Lavis shortly afterwards (Gilson had already played with, among others, B.B. King, Chuck Berry, and Max Wall) – who still drums with Jools.

Up The Junction and Cool For Cats gave Squeeze meteoric success and their popularity rapidly extended to America, where their tour included performances at New York's Madison Square Garden.

In 1987, Jools formed The Jools Holland Big Band – comprising himself and Gilson Lavis. This has gradually metamorphosed into the current 19-piece Jools Holland and His Rhythm & Blues Orchestra, which consists of pianist, organist, drummer, three female vocals, guitar, bass guitar, two tenor saxophones, two alto saxophones, baritone saxophone, three trumpets, and three trombones.

As well as formidable live performances, Jools has maintained a prolific recording career since signing to Warner Music in 1996, which includes the multimillion selling Jools Holland and Friends series. Notable 'friends' have included Sting, Chrissie Hynde, George Harrison, Norah Jones, Eric Clapton, David Gilmour, Bono, Joe Strummer, KT Tunstall, Robert Plant, Smokey Robinson, Kylie, Marc Almond, Ringo Starr, Peter Gabriel, Solomon Burke, and many more.





On This Day 18/12/2014 Decade

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On this day, 18 December 2014, rock band Decade played Cardiff University on their All Signs Point to Britain tour.

Formed in 2009, the band consists of lead vocalist Alex Sears, guitarist Joe Marriner, guitarist and backing vocalist Connor Fathers and bassist Harry Norton. Encapsulated by the locution 'Loud quiet happy sad', Decade currently have two studio albums, Good Luck and Pleasantries, a self-titled EP as well as an EP they pretend does not exist.

Decade signed to Rude Records in late 2016. Their second studio album, Pleasantries, was released in 2017 to much acclaim across a number of independent publications.

On This Day 15/12/2014 Chris Rea

On this day, 15 December 2014, singer/songwriter Chris Rea played Cardiff’s St David’s Hall on his The Last Open Road Tour.

Known for his distinctive voice and his slide guitar playing, Rea has recorded twenty five studio albums, two of which topped the UK Albums Chart, The Road to Hell in 1989 and its successor, Auberge, in 1991.

He had already become "a major European star by the time he finally cracked the UK Top 10" with the single "The Road to Hell (Part 2)".

Over the course of his long career, Rea's work has at times been informed by his struggles with serious health issues.[6] His many hit songs include "I Can Hear Your Heartbeat", "Stainsby Girls", "Josephine", "On the Beach", "Let's Dance", "Driving Home for Christmas", "Working on It", "Tell Me There's a Heaven", "Auberge", and "Julia".

He also recorded a duet with Elton John, "If You Were Me".Rea was nominated three times for the Brit Award for Best British Male Artist: in 1988, 1989 and 1990.




Setlist

The Last Open Road

Work Gang

Where the Blues Come From

Josephine

Easy Rider

'Til the Morning Sun Shines on My Love and Me

Julia

Stony Road

Come So Far, Yet Still So Far to Go

Somewhere Between Highway 61 & 49

Stainsby Girls

The Road to Hell (Part 1)

Encore:

On the Beach

Let's Dance

Driving Home for Christmas

On This Day 30/10/2014 Steve Hackett

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On this day, 30 October 2014, former Genesis guitarist Steve Hackett played Cardiff’s St David’s Hall on his Genesis Extended 2014 World Tour.

Hackett released his first solo album, Voyage of the Acolyte, while still a member of Genesis in 1975. After a series of further solo albums beginning in 1978, Hackett co-founded the supergroup GTR with Steve Howe in 1986. The group released the self-titled album GTR, which peaked at No. 11 on the Billboard 200 in the United States and spawned the Top 20 single "When the Heart Rules the Mind".

When Hackett left GTR in 1987, the group disbanded. Hackett then resumed his solo career. He has released albums and toured worldwide on a regular basis since.

Hackett's body of work encompasses many styles; in addition to his work in progressive rock, he has explored pop, blues, world music and classical music on his solo recordings. According to Guitar World: "Hackett's early explorations of two-handed tapping and sweep picking were far ahead of their time, and influenced Eddie Van Halen and Brian May."


Setlist

Dance on a Volcano

(Genesis song)

Squonk

(Genesis song)

Dancing With the Moonlit Knight

(Genesis song)

The Return of the Giant Hogweed

(Genesis song)

Fly on a Windshield

(Genesis song)

Broadway Melody of 1974

(Genesis song)

The Fountain of Salmacis

(Genesis song)

The Musical Box

(Genesis song)

I Know What I Like (In Your Wardrobe)

(Genesis song)

Horizons

(Genesis song)

Firth of Fifth

(Genesis song)

Lilywhite Lilith

(Genesis song)

The Knife

(Genesis song)

Supper's Ready

(Genesis song)

Encore:

Watcher of the Skies

(Genesis song)

Myopia / Slogans / Los Endos

On This Day 29/09/2010 Oceansize

On this day, 29 September 2010, rock band Oceansize played Cardiff’s Millennium Music Hall on their Self Preserved While The Bodies Float Up Tour.

Formed in 1998 the band consisted of Mike Vennart (vocals, guitar), Steve Durose (guitar, backing vocals), Richard "Gambler" Ingram (guitar, keyboards), Mark Heron (drums) and Jon Ellis (bass guitar) for the majority of its career, with Steve Hodson replacing Ellis on bass guitar in 2006.

The band released four studio albums, in addition to a number of minor EPs and singles, displaying a wide array of influences from several genres including post-rock, math rock, psychedelic rock, and space rock. Following a twelve-year career, Oceansize announced their split in February 2011, with the members moving on to different projects.

The band started working on their fourth (and ultimately final) album, Self Preserved While the Bodies Float Up in fall 2009. In January 2010, the band embarked upon a UK tour, showcasing new material. According to Mike Vennart's Twitter, the recording of the album was completed on 17 April, with Vennart stating "Recording is complete! Album 4 is go! It's all on Chris Sheldon now". Mastering was completed at Abbey Road Studios on 18 May 2010 by Sean Magee. On 22 July 2010, Oceansize posted one of the album's songs, "SuperImposer", on their Superball website, and made it available for download via Twitter and Facebook.

Self Preserved While the Bodies Float Up was released on 6 September 2010. The album showcased a heavier side to the band, who stated that it probably was their heaviest studio album to date. However, Vennart claimed that the album still had the diversity found on other Oceansize albums. The band subsequently toured to promote the release.

Setlist

Part Cardiac

Build Us a Rocket Then...

Unfamiliar

New Pin

Music for a Nurse

It's My Tail and I'll Chase It If I Want To

Silent/Transparent

SuperImposer

Pine

Paper Champion

Trail of Fire

Ornament/The Last Wrongs

Encore:

Women Who Love Men Who Love Drugs

On This Day 04/09/2011 Public Enemy

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On this day, 4 September 2011, American hip hop legends Public Enemy played Cardiff University.

Formed by Chuck D and Flavor Flav on Long Island, New York, in 1985. The group came to attention for their political messages including subjects such as American racism and the American media.

Their debut album, Yo! Bum Rush the Show, was released in 1987 to critical acclaim, and their second album, It Takes a Nation of Millions to Hold Us Back (1988), was the first hip hop album to top The Village Voice's Pazz & Jop critics' poll.

Their next three albums, Fear of a Black Planet (1990), Apocalypse 91... The Enemy Strikes Black (1991) and Muse Sick-n-Hour Mess Age (1994), were also well received. The group has since released twelve more studio albums, including the soundtrack to the 1998 movie He Got Game and a collaborative album with Paris, Rebirth of a Nation (2006).

Public Enemy @ Cardiff University Solus

Nick Fisk

Back in the late 1980s/early 90s, there were three bands whose albums, without fail, always picked up a 10/10 in the NME – a mark rarely given. The bands in question were: The Pixies, REM and Public Enemy. Tonight, Public Enemy were in town to do a re-run of ‘Fear of a Black Planet’. I’ve seen a couple of these album performances now; whilst some bands just play the album through from track 1 to the end -or maybe jiggle the tracklisting a bit- Public Enemy in true revolutionary style, just played whatever the hell they wanted, cutting in classics from other albums at leisure.

The build up to this gig was filled with excitement from the time it was first announced a few months ago – incredibly, it was to be the group’s first ever show in Cardiff – right up until the moment the band hit the stage. Both warm up DJ and the support act got the crowd going, then a couple of members of the Public Enemy crew came onstage to further get the crowd into the party spirit. The album’s opening jam played before Chuck D, Flavor Flav and the whole band finally appeared to the sound of ‘Brothers Gonna Work It Out’: and the place literally ‘blew up’.

Any questions about whether Public Enemy are still relevant and whether this show would be much more than an entertaining hark back to the past were very quickly forgotten. The band’s stage presence has an impact that is the most captivating I have ever seen. Along with DJ Lord, the drummer, bassist and guitarist, the two main men are flanked on either side by members of the S1W team, who are all dressed in outfits that could be those of prisoners or members of the military. On the one hand, they’re mocking authority, but at the same time, there’s a look of such defiance that you almost think the revolution has just happened and these are the people who have taken over.

One crew member led the crowd in raising fists, and it did not seem to matter that this was by far a majority white crowd. The fact that the NME was one of the band’s biggest champions might well be one of the reasons for this, amongst a crowd of mostly hardened gig goers. The slogan on the back of this particular crew member’s t-shirt (7K, I think Chuck D introduced him as) read “Freedom is a road seldom travelled by the multitude,” and the solidarity expressed within the crowd was reassuring – this being a group of fans who were equally supportive, and free of prejudice.

Politics may well be one facet to the Public Enemy package, but fun is another factor in this, and any hip hop show. Flavor Flav is the fun provider, and gets the place jumping like the floor is on springs. Early on, he leads the crowd in a long cheer of “Woooah” (as if he’s about to do the Ayatollah, heh!). He also invites one audience member to the stage to join in with the words, and later swaps a t-shirt with a girl who’d got him a nice looking pocket watch as a present.

Surprisingly, Flavor also turns out to be a pretty adept musician, twanging away in one section on first the bass, before having a go on the drums. Meanwhile, the guitarist shows off by playing his instrument behind his head. We are also treated to the full force of DJ Lord’s scratching skills, after Flavor gives him an intro like a boxer entering the ring. For a good 5 minutes, he is literally on the “1s and 2s” as the 2 tracks on his decks seem to have just the words “one” and “two” on loops while he cuts and scratches between the two: this sequence is filmed by another crew member, and I would strongly advise checking it out on Youtube –you’ll be in for a treat. This showmanship is an indication that Public Enemy really are the number one hip hop band for a reason –they are all incredibly gifted musicians.

The quality of the songs seals the band’s reputation as being the greatest hip hop act. Along with the best of ‘Fear of a Black Planet’, they play classics like ‘Bring The Noise’ and ‘Don’t Believe The Hype’, as well as more recent song ‘Harder Than You Think’, which was a highlight for me. If there was just one negative aspect on the night, it was the fuss made over a half empty plastic bottle being thrown onto the stage. OK, we had been asked prior to the start not to throw things on stage, but sending security into the crowd to try to deal with the perpetrator was a little excessive I thought, and for a moment I sensed it was a case of using the same heavy handed control which the band purport to oppose. But this was over quickly, and fairly soon after the show drew to a close. Flavor led the crowd into raising our hands once more; this time in a victory salute, then got us all to repeat the word “Peace,” and that was it: a strangely quiet ending.  The band had come onstage with a bang, and left in peace.

There was no encore, but during the unofficial after party at Buffalo, some of the band made an appearance -which is rare. For me, this along with meeting the guy with the cool Public Enemy tattoo, turned a top notch evening into an eleven out of ten performance.

On This Day 03/09/2011 Dolly Parton

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On this day, 3 September 2011, American Country Legend Dolly Parton played the first of two nights at Cardiff’s Motorpoint Arena on her Better Day World Tour.

It was the tenth concert tour by Dolly Parton. Visiting North America, Europe and Australia, the tour supported her 41st studio album, Better Day. With nearly 275,000 tickets sold, and an overall gross of $34 million, it is Parton's most successful tour.

Cardiff Review - Guardian

As women in pink Stetsons and high heels take their seats, Dolly Parton totters on stage in a tight white dress that exaggerates every curve. There is polite pandemonium. Her face and frame may be triumphs of Botox and collagen, but her voice is as pure as mountain air as she launches into a version of Walking on Sunshine. She does a little hoedown, and her enthusiasm is infectious. She would make an excellent primary school teacher. "We need to feel good," she declares, and you think, "Yes, Miss Parton, we do."

The anecdotes are often longer than the songs. And they are all meticulously rehearsed to sound off-the-cuff, such as the one about the red-haired girl who tried to steal her husband that prefaces Jolene.

There is a bluegrass medley, complete with yee-haws and yodelay-heehoos, that includes Dueling Banjos and numerous references to her being a country girl. Parton reminisces about growing up as one of 12 children in poverty in the Tennessee mountains, and it sounds like an episode of The Waltons, so full is it of folksy charm and homespun homilies. She sits on a quilt to tell a story about a coat made for her from scraps by her "Mama" as images appear on the screen of a sepia shack. As her voice cracks, you don't know whether to laugh or cry. When she picks up a shiny saxophone and asks, "How did I get one of these from such humble beginnings?" you think, "Enough of the protestations of poverty!"

Behind the sentiment and shtick, there are dollops of ersatz country – but this is more of a generic US pop-rock sound than it is the real thing. Nevertheless, Parton is a respected songwriter, and pens most of her own material. When she plays tracks from her new album, Better Day, on an acoustic guitar it reminds you that she was a serious musician and ambassador for Americana before she became a figure of cartoon-country fun.

After a 20-minute interval, Parton reappears in a red sequinned jump-suit ("It costs a lot of money to look this cheap," she jokes), and after dispensing with 2001's Little Sparrow, which is as arrestingly solemn and sparse as a traditional folk tune, she cranks out the hits that people have paid to hear. Here You Come Again gets everyone on their feet, and Islands in the Stream keeps them there.

As the singer makes her final assault with I Will Always Love You, infused with country-gospel fervour, and 9 to 5, sung against a glitzy apocalypse of a Las Vegas backdrop, it occurs to you just how strange this self-styled Backwoods Barbie – equal parts Lady Gaga and Loretta Lynn – really is.





Setlist

"Walking on Sunshine" (contains excerpts from "Shine Like the Sun")

"Better Get to Livin'"

"Jolene"

"Rocky Top"

"Mule Skinner Blues"

"Help!"

"Shine"

"Stairway to Heaven"

"My Tennessee Mountain Home"

"Precious Memories"

"Coat of Many Colors"

"Smoky Mountain Memories"

"Son of a Preacher Man"

"Better Day"

"Together You and I"

"Holding Everything"

"Joyful Noise"

"He Will Take You Higher" (contains excerpts from "I Want to Take You Higher")

"He's Everything"

"White Limozeen"

"The Best of Both Worlds"

"The Sacrifice"

"In the Meantime"

"Little Sparrow"

"River Deep – Mountain High"

"Here You Come Again

"Islands in the Stream"

"9 to 5"

Encore

"I Will Always Love You"

"Light of a Clear Blue Morning"

On This Day 28/08/2016 The Tide

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On this day, 28 August 2016, American rock band The Tide played The Globe, Cardiff on their Click My Fingers Tour.

The band was formed when the Vamps announced a secret project in late December 2014 and held auditions for a US guitarist and drummer aged 18–20 to form a band. Drew and Nate were in a previous pop-punk band called "All the Above" until they were given the offer to move on.

The Tide started on February 25, 2015, consisting of 4 members: Austin Corini (born 26 December 1995) - lead vocals, Drew Dirksen (born 30 September 1996) - lead guitar and backing vocals, Levi Jones (born 21 November 1997) - bass guitar and vocals and Nate Parker (born 26 September 1996) - drum and backing vocals. Like the Vamps, the band started uploading covers on YouTube and gained a number of fans since then.

On February 18, 2015, the Vamps announced that they would be taking them on tour. The Tide have so far played shows across Europe in various countries such as Spain, Italy, the United Kingdom, the Netherlands, and Ireland for The Vamps UK Arena Tour. The first show of the tour kicked off in Glasgow, Scotland and the last show was in Madrid, Spain on 24 March 2016. The Tide toured the United Kingdom August - September 2016, with support acts of New Hope Club (also signed to the Vamps' record label) and Josh Taylor.

The Tide released their debut single "Young Love" on March 25, 2016. A second single, "Click My Fingers" was released on August 12, 2016. Their first EP, Click My Fingers was released on November 15, 2016. Their third single "Put the Cuffs on Me" was released on March 31, 2017, supporting their headlining tour named 'Put the Cuffs on Me Tour'. Their fourth single "Naked" was released September 8, 2017, alongside digital pre-order for their debut album Young Love. Their album was released on October 15, 2017.