Estelle Trowill

Review - Catfish & The Bottlemen - Cardiff Castle 20/07/2024

After cancelling their performance at the Principality Stadium in 2022, fans feared it might be the end for Catfish and the Bottlemen. However, on Friday, they made a triumphant return to Cardiff Castle!

Friday was the warmest day we've had this year, and fans dressed in band merch were seen all around the city, buzzing with excitement for what promised to be a fantastic comeback. This gig, the first announced after releasing their recent single 'Showtime,' had fans eagerly competing for tickets. It was their second show since their comeback, following their performance at Sefton Park in Liverpool.

The evening kicked off with a set from 'The Big Moon.' Although I only caught the end of their performance, having seen them support other acts previously, I can attest to their ability to set a great tone for the night. Their lively and engaging presence on stage always manages to energise the crowd, making them an excellent choice to warm up the audience for the main event.

As Catfish and the Bottlemen took to the stage at Cardiff Castle, they were met with a huge applause. They opened with the fan-favourite 'Kathleen,' instantly getting the crowd’s hands in the air and setting a high-energy tone for the evening. This was followed by 'Soundcheck,' during which inflatable crocodiles sold at the merch stall bounced around the front of the stage, adding a playful touch to the vibrant atmosphere.

The mid-section of their set consisted of hits like 'Conversation,' 'Business,' and 'Homesick,' maintaining the momentum and keeping the audience fully engaged. My favourite moment was during '2all,' as it’s my favourite Catfish song, and hearing it live again alongside best friends was a nice experience. The energy throughout the set was exciting, with everyone singing along, hands in the air, and many fans perched on shoulders.

Despite a few moments where the energy from the stage dipped, the passionate and consistent atmosphere from the fans never waned. The band closed with an electrifying performance of 'Cocoon,' leaving the crowd on a high note. Although they delivered a familiar setlist, mirroring the one they performed in 2021, and didn't include their most recent single, the night was still enjoyable. Their set began around 9:15 and wrapped up just before 10:40, leaving many of us wishing for at least one or two more songs. The abrupt ending felt somewhat anticlimactic, especially given the high energy and enthusiasm bestowed on them by the crowd.

Overall, it was nice to see Catfish make their comeback, and it made me reminisce about my late teenage years. For extremely dedicated fans, this must have been a great night, but for me, it was the crowd's energy that truly made the evening memorable.

Dea Matrona - Review - Clwb Ifor Bach - 11/05/2024

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The night began with an acoustic set by Eleri, who quickly warmed up the packed crowd downstairs at Clwb Ifor Bach. In addition to her original songs, she delivered a captivating cover of Nancy Sinatra's "These Boots Are Made for Walkin'." which the crowd thoroughly enjoyed, singing along enthusiastically. It was heartening to see the venue full for the support act, a rarity these days but a true testament to Eleri's talent as a live performer. Her performance concluded with a big round of applause, perfectly setting the stage for Dea Matrona. Eleri will be performing next on May 21st at The Moon, with other support slots to be announced. Don't miss the chance to see her live—highly recommended.

Following Eleri, Dea Matrona took the stage, greeted by an eager and energised audience. They started their set with a powerful drum intro that had everyone clapping and raising their hands. The band's high-energy performance and dynamic stage presence kept the crowd engaged throughout, leading to thunderous applause after their opening.

The setlist was a well-crafted mix of their original hits and some well-chosen covers. Highlights included "Stamp On It," "So Damn Dangerous," and the lead single "Black Rain" from their latest album For Your Sins, which was my favourite song of the night. Their rendition of Prince's "KISS" and Sophie Ellis-Bextor's "Murder on the Dancefloor" had the crowd singing and dancing along, showing the band's versatility and ability to keep the energy high.

Prior to performing "Wilderness," Dea Matrona asked the audience if they had seen them play before, with many shouting out that they had seen them in Bristol. The band then inquired if it was anyone's first time seeing them, and a large number of people responded with enthusiastic cheers, highlighting their growing popularity.

Another standout moment was the introduction of "Dead Man’s Heart," where the band embraced a country vibe, complete with sparkly cowgirl hats, and had the crowd shouting "yeehaw." This playful interaction showcased their ability to create a fun and engaging atmosphere.

The evening concluded with a powerful encore of "Make You My Star," leaving the audience on a high note. This was my first time seeing Dea Matrona live, and I've been listening to them nonstop since. Their debut album is sure to be a hit with fans of rock and country. While it features strong pop elements, their music has a unique sound that blends various genres seamlessly. The album is truly impressive. Their stage presence is electrifying, and they deliver a captivating performance with their band. I will definitely be going to see them again. Speaking with a couple of enthusiastic fans, it's clear that Dea Matrona has a strong following. The atmosphere was fantastic, and everyone seemed to have a great time, making it a night to remember at Clwb Ifor Bach.

Set List:

Stamp On It

Get My Mind Off 

Stuck On You

Did Nobody Ever Love You?

KISS (Prince Cover)

Wilderness 

Nobody’s Child

So Damn Dangerous 

Oh Well

Black Rain 

Glory, Glory 

Dead Man’s Heart

Every Night I Want You

Muder On The Dancefloor (Sophie Ellis-Bexter Cover)

Red Button

Make You My Star (Encore)

Preview - Dea Matrona - 11th May - Clwb Ifor Bach

Hot off the release of their debut album 'For Your Sins', Dea Matrona is currently on an electrifying tour. Catch them live in Cardiff this Saturday as they take the stage at Clwb Ifor Bach, promising an unforgettable performance.

Dea Matrona is a dynamic duo consisting of childhood friends Mollie McGinn and Orlaith Forsythe. Their musical journey began on the streets of Belfast, where they honed their craft by busking to beloved rock 'n' roll classics like Led Zeppelin's 'Whole Lotta Love' and Simon & Garfunkel's 'Homeward Bound'. Their debut album seamlessly merges indie pop and rock influences, drawing inspiration from iconic bands such as Fleetwood Mac, HAIM, The White Stripes, and Arctic Monkeys.


For Your Sins’ stands as a unique passion project, showcasing their innovative blend of sounds like never before. Highlighted tracks on the album include "Black Rain," "Stamp on It," and "So Damn Dangerous," among others. With their powerful riffs and intense musicality, Dea Matrona has carved out a unique and sensational sound – raw and authentic yet brimming with melody and flair. It's a rare blend that sets them apart, delivering a gritty, genuine experience infused with their own distinctive style. With their authentic and powerful sound, Dea Matrona is poised to captivate rock fans and leave a lasting impression. 

This performance is a must-see. Limited tickets are still available - https://bnds.us/1fh5nd

If you can't make it to the show, don't forget to give their album a listen on all major platforms.

Courting - New Last Name - Album Review

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Courting released their sophomore album ‘New Last Name’ today, January 26th and it shows huge growth from their debut album ‘Guitar Music’. Originating from Liverpool, Courting are known for infusing their music with a compelling blend of post-punk and indie rock elements and pop culture references. With punchy guitar riffs, infectious rhythms and candid catchy lyricism, they take inspiration from artists such as Parquet Courts, Home Counties and Yard Act.

Courting's musical evolution from their debut album to their sophomore release is palpable, showcasing a notable maturity in both their songwriting and sound. While their debut album initially acquainted listeners with their infectious energy and raw talent, their latest album plunges into heartfelt pop lyricism while upholding Courting's signature upbeat instrumentals and distinctive style.

Courting has been actively promoting their album for some time now, even hosting a gig under the pseudonym “The Throwbecks”, humorously claiming they didn't show up, prompting Courting to perform their own songs instead. The album's marketing campaign has been fascinating to observe and has definitely grabbed the attention of their fan base.

Courting unleashed four electrifying singles, igniting the music scene with "Flex" on August 7th, followed by the fiery "Throw" on November 8th. The captivating melody of "Emily G" on December 14th mesmerised listeners, while the infectious beats of "We Look Good Together (Big Words)" on January 8th left fans craving more. Among these standout releases, "Emily G" and "We Look Good Together (Big Words)" shine as the prime highlights, showcasing Courting's remarkable musical abilities and clever lyrical compositions. These tracks stand out with a unique combination of skillful instrumentation and insightful wordplay.

Apart from the singles, one track that truly stands out for me on the full album is “Babys”, distinguished by its gentle introduction and the incorporation of a captivating saxophone. Among Courting's repertoire, “Babys” in my eyes, emerges as the most progressive release, seamlessly blending elements of indie rock with subtle yet evocative saxophone melodies, offering listeners a refreshing new sound.

"The Hills", "The Wedding", and "Happy Ending" share a cohesive ambiance, characterised by stripped-back moments that highlight their themes and emotional impact. These tracks form a harmonious blend within the album, each offering its unique narrative while contributing to the overall immersive experience.

The album concludes with “America”, opening softly and delving into the intricacies of modern relationships through its lyrics. The outro, featuring the album's title “You’ve got a new last name”, provides a fitting conclusion. Overall, Courting delivers a captivating release that leaves me eagerly anticipating their future musical evolution with their next project.

Despite the absence of a Cardiff date on their tour schedule, Courting will embark on a tour from February 6th to April 20th and will take the stage at Bristol Exchange on February 22nd with support from Cosmorat. 

Full Track-list:

  1. Throw

  2. We Look Good Together (Big Words)

  3. The Hills

  4. Flex

  5. Emily G

  6. Babys

  7. The Wedding

  8. Happy Endings

  9. America

Details:

Release Date - 26th January 2023 / Record Label - Lower Third

Spotify Link - https://open.spotify.com/album/7DnPfehpIKOC7BVsUc0a8H?si=k1anCXWSTCyw550ASDVBKQ

Tour  - https://www.seetickets.com/tour/courting