The Hi-Lo’s

On This Day 27/09/1958 The Hi-Lo's

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On this day, 27 September 1958, American jazz/pop vocal group The Hi-Lo's played Cardiff’s Capitol Theatre. Support was provided by Vic Lewis and his Orchestra, jazz harmonica player Max Geldray and Anglo-American comedian Alan Clive.

The Hi-Lo's were a close-harmony vocal quartet of the 1950's and early 1960's who brought the arrangement and harmonics of popular song to a standard which has seldom been equalled and never surpassed. In their time, only the Four Freshmen have acquired a comparable reputation.

They were Gene Puerling, bass-baritone, arranger and leader of the group: Bob Strasen, baritone: Bob Morse, baritone and occasional soloist and Clark Burroughs, tenor. The group was formed in April, 1953 and took their name from the incredible vocal range they covered between them. It was also true that, while Puerling and Burroughs were five feet seven and five feet five respectively, Morse and Strasen topped six feet.

They brought imagination, technical accomplishment, daring, determination and integrity to their artistry when the model for groups of their kind was a safe commercial blend. Their superiority in every department ofarranging, recording and performance was down to the genius of Gene Puerling who, in later years, went on to form Singers Unlimited with replacement Hi-Lo Don Shelton. After disbanding in the midst of the early-sixties British pop invasion of the United States and pursing their various projects, they reformed with great success in the late seventies to perform live and to produce two further outstanding albums.

Brian Wilson of the Beach Boys, the Mamas and the Papas, the Gatlin Brothers, Manhattan Transfer and Take Six were all awakening to their own musical ambitions at this time and cite the Hi-Lo's as a major musical influence. The group's personal appearances at this time are well remembered. They opened for Judy Garland on tour, sang at Madison Square Garden, the Hollywood Bowl and the Royal Albert Hall in London.

A critic who saw them at the Crescendo in Hollywood referred to their 'bright, well-scrubbed look and the highly humorous content of the act … accentuated by spokesman Puerling's comic patter, aided and abetted by cracks from the others' and to a routine in which the four Hi-Lo's wound up in a tangle of arms and legs on the floor. More seriously, they would find huge audiences breathless and captivated by their beguiling vocal performances.